[D920.Ebook] Ebook Hemingway: The Final Years, by Michael S. Reynolds
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Hemingway's triumphs as a writer during the 1940s and 1950s accompanied a life of risk and danger.
Michael Reynolds discovered the truth about Hemingway's activities during the war years, which included running a counterintelligence operation in Havana. The postwar period was the most productive of Hemingway's writing life, when he authored the Pulitzer Prize-winning The Old Man and the Sea and received the Nobel Prize. Even as Hemingway graced the cover of Life magazine, his physical and mental health deteriorated while his public image as hunter and sportsman continued to demand the strenuous life. In 1961 he committed suicide, leaving behind the stuff of which American myths are made.- Sales Rank: #330392 in Books
- Published on: 2000-07-17
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x 1.10" w x 5.50" l, 1.15 pounds
- Binding: Paperback
- 416 pages
- ISBN13: 9780393320473
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
If one had to choose just one of Michael Reynolds's five volumes on Hemingway, The Final Years would probably be the best choice. Beginning with the fanfare surrounding the publication of For Whom the Bell Tolls on the eve of the Second World War and ending with Hemingway's suicide in 1961, the book puts all that had come before into perspective even as it probes these last two decades of its subject's life. The amount of detail is staggering--and sometimes, particularly in the case of his troubled fourth marriage to Mary Welsh, painfully discomfiting. (Long before Mary interrupts a conversation between Hem and Lauren Bacall to show Bacall a bullet she keeps for anybody who makes a move on her husband, the reader has figured out that the marriage was not exactly happy.)
The sections on Hemingway's wartime exploits, both in Cuba as a volunteer U-boat hunter and in Europe as a correspondent, are fascinating. But even in these moments--hell, even when he won the Pulitzer and the Nobel--Hemingway was subject to what he called "black ass" bouts of depression, an inherited condition that (as Reynolds notes) wasn't helped by his drinking or his tendency to put himself into dangerous situations in which he could suffer yet another severe concussion. Reynolds has traced the great writer's psychological decline so thoroughly that, when Hemingway puts the shotgun in his mouth in the final chapter, it is not as if the expected conclusion has finally arrived; rather, the reader has been made to feel an even deeper sense of the inevitability of the act. --Ron Hogan
From Publishers Weekly
The concluding installment of Reynolds's (Hemingway: The Paris Years) three-volume life of Papa makes a fitting centennial tribute to one of the most influential American writers of the century. Here Reynolds chronicles Hemingway's life from 1940 to his suicide by shotgun in July 1961. Beginning with the writer's tumultuous third marriage to journalist Martha Gellhorn, Reynolds takes readers through the end of the Spanish Civil War, the great success of For Whom the Bell Tolls, WWII and Hemingway's self-exaggerated role in "liberating" Paris, the triumph of The Old Man and the Sea, the Nobel Prize and the author's slow but certain physical and mental decline. Readers have front-row seats for his stormy fourth and last marriage to Mary Welsh, a relationship marked by continual brawls and reconciliations, and we follow the couple through Europe and Africa, enduring the back-to-back helicopter crashes that left Hemingway physically battered and emotionally scarred. Touchingly, in his final years, Hemingway sought to return to the people and places of his past, only to confront the futility of doing so. Hemingway suffered from severe depression and increasing paranoia, Reynolds writes, and his decline was hastened by shock treatments at the Mayo Clinic. Ultimately, he was unable to complete several ambitious projects, works eventually published as A Moveable Feast, Islands in the Stream, The Garden of Eden, The Dangerous Summer and, just out from Scribner, True at First Light. Recent scholarship and the release of important archival information make it clear that the demands placed on the celebrity Papa, a self-created and self-perpetuated myth, only hastened the end. As Reynolds concludes, Hemingway's story is one "the ancient Greeks would have recognized." (July)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Completing his celebrated five-volume study, Reynolds traces a dark change in Hemingway's later personality, while correcting the old wisdom that the writer was unable to work in his autumn years--which freshens the tragedy of his 1961 suicide. Barring further unpublished Papa novels, this may be the definitive biography of a troubled master. (LJ 5/1/99)
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By William C Simpson Jr
Gret research and well written.
7 of 7 people found the following review helpful.
An excellent biography, although by no means definitive
By A Customer
Michael S. Reynolds' "Hemingway: The Final Years" is excellent and a worthy addition to any library, as are the previous volumes. I have read every Hemingway biography (I even have such paperback quickies as HEMINGWAY: LIFE AND DEATH OF A GIANT and THE PRIVATE HELL OF HEMINGWAY that were published shortly after Papa's death) since my father, twenty-two years ago, gave me a copy of Carlos Baker's 1967 authorized biography (which I also recommend; it gives you the a great overview of Hemingway's life and work and is very readable), and I have found Reynolds biographies to be wonderful and informative.
7 of 7 people found the following review helpful.
Literary Lions, Political Tigers, and Papa Bears
By TOMA
Reviewed by TOMA 1999
Here's one to add to your Hemingway collection. Michael Reynolds tells us the story of Ernest Hemingway's last score years from the era of World War II to his suicide in Ketchum, Idaho on July 2, 1961. We have here the Hemingway hero we love and wish we personally knew: the articulate man full of high sentence, the man among men, the behemoth drinker, the virtuoso hunter, the dedicated idealist to his craft, the continent jumper, the fun-loving and cherished father especially to his three boys, the husband now going on his third wife in Martha Gellhorn and the literary lion in his last years where the Victor finally reaps the spoils of a lifetime pitted against the dragon called writing. Icon would be too small a word for such a colossal figure. Hemingway through all his own growling, fist-fighting, taunting of literary figures, strutting in and out of wars, promenading through world events, and arguing with his own publisher in Charles Scribner remains like the figure of the Greek Odysseus, the figure as Tennyson put it who set his life "to strive, to seek, to find, and not to yield." This is why many admire this American son while others see him as full of sh--, a braggart, and fraud for having never truly experienced the larger than life adventures he immortalized in his war books: For Whom The Bell Tolls, To Have and Have Not, and A Farewell To Arms not to mention his slew of other relevant stories set in exotic locations. At the date marking the century of his birth and with the latest Hemingway piece-meal work to be drawn together by his son Patrick in True at First Light, and the dozen or so other "timely" biographies, fancy-covered reprints, and photobooks presented during the summer of 1999, Reynolds does his duty to his subject with skill, organization, and insight. Although sentiment is not always unbiased, for it is obvious this research has been a labor of love, this book marks Reynolds' fifth and apparent last volume in a series of the chronologically-based Hemingway biography. In this final version, Hemingway is never idolized but shown in the somewhat balanced color of black and white where Hemingway can not but create his own shadow like some vibrant oak towering above Finca Vigia in Cuba or with his skeleton crew of "agents" monitoring the inland waterways for German submarines or as the bespectacled ancient literary lion much like his own tiger at Kilimanjaro, worn and heavy, resting within the expanse of Idaho country far below the mountains at his Sun Valley Lodge. Other exotic landscapes nicely slip into view along the journey: Hong Kong, Venice, Paris, Key West, New York, and Mombasa like a set of snapshots upon a reel. We find the sensitive Hemingway trying to keep together a marraige that seems over just as it has begun. We have a vivid image of Martha Gellhorn, the reluctant housewife and bonafide journalist torn between the woman Hemingway wishes and the one she desires to be. We feel him sparring with Scribner's over language in his novels and courtroom battles. We get a feel for the atmosphere of Finca Vigia with its bug-ridden sunburnt rooms, and for the silent, pine-washed Ketchum ranch where the echo of a rifle blast stills remains today. Characters saunter in and out of the story like locals into their corner bar. The quoted material from various personages of the times has been expertly chosen to move the Hemingway legend along its way. These haunting voices create such atmosphere and setting that the imagination has little to do but continue to create a story that unfolds in cinemagraphic slow motion. Moreover, we seem to capture a panoramic view of our literary past so important to reflect upon as we step over the century divide. This is a joyous read especially for summer reading not only for the enthusiast but for the academic who wishes to gain a fuller insight into the one of our greatest literary figures this nation has ever produced.
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