[V738.Ebook] PDF Ebook Egyptian Book of the Dead, by Eva von Dassow
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The ancient purpose of the funerary papyrus known as Book of the Dead of Ani was to guide the Egyptian soul to the afterlife, and the iconic text�of the ancient culture is presented here for the first time as a single volume. The original is 78 feet in total length and 3,500 years old; this presentation contains the original facsimile edition from 1890. The hieroglyphic text and vignettes are juxtaposed with the English translation of each chapter on the same page that the Egyptian text occurs. The power, wisdom, and spiritual vision offered in its pages goes back to the spiritual and cultural roots of humanity. This beautiful artifact will be a prized possession for those interested in the world of ancient Egypt—and in the beginnings of civilization itself.
- Sales Rank: #1186762 in Books
- Brand: Chronicle Books
- Published on: 1994-06-01
- Ingredients: Example Ingredients
- Original language: Egyptian
- Number of items: 1
- Dimensions: 14.50" h x 10.00" w x .75" l,
- Binding: Hardcover
- 174 pages
- Used Book in Good Condition
From Library Journal
The Book of the Dead is a collection of writings that were placed in tombs as a means of guiding the ancient Egyptian soul on its journey to the afterlife. The Papyrus of Ani, which is reproduced here, is one of the most important and beautiful of the surviving papyri. Damage in the 19th century seriously confused its sequencing and the relationship between text and illustrations. Here for the first time the scroll is presented in its proper sequence and in its entirety. The English text is placed immediately underneath the corresponding hieroglyphs, and the reproductions are faithful to the originals in all their glowing color. A critical purchase for any serious collection of materials on ancient Egypt.
Mary Morgan Smith, Northland P.L., Pittsburgh
Copyright 1994 Reed Business Information, Inc.
Review
"The Egyptian Book of the Dead is a collection of writings that were placed in tombs as a means of guiding the ancient Egyptian soul on its journey to the afterlife. The Papyrus of Ani, which is reproduced here, is one of the most important and beautiful of the surviving papyri. Damage in the 19th century seriously confused its sequencing and the relationship between text and illustrations. Here for the first time the scroll is presented in its proper sequence and in its entirety. The English text is placed immediately underneath the corresponding hieroglyphs, and the reproductions are faithful to the originals in all their glowing color. A critical purchase for any serious collection of materials on ancient Egypt." —Library Journal
"This magnificent book is the first complete presentation of the Papyrus of Ani, featuring graphics that reveal beautifully the texture of the original papyrus, coupled with the translated text. The original papyrus, on its discovery, was cut into sections for transport. The careless cutting of uneducated workers left the manuscscipt almost indecipherable, and to date only sections of it have been made available to the public. Computer imaging allowed the papyrus to be pieced into its original state, and a faithful translation was then possible. This document is precious not only for its historic significance, but also for its glimpse into the ancient Egyptian religion and its teachings about the passage from life to death. Commentaries and other notes make this work even more accessible. A spectacularly beautiful work of devotion."� —NAPRA Trade Journal
"The Papyrus of Ani – The Book of Going Forth by Day, created around 1250 B.C.E., is the best surviving example of some 200 texts comprising the funerary scrolls that accompanied deceased Egyptians into the afterlife. The Egyptian Book of the Dead: The Book of Going Forth by Day presents the complete papyrus, photographed from an 1890 facsimile edition, with an English translation by the late Raymond O. Faulkner."� —Publishers Weekly
"The Egyptian Book of the Dead is a remarkable volume. It is based on the Papyrus of Ani, which, with the exception of the Rosetta Stone, is the most famous Egyptian object in the collections of the British Museum. Its fame is due in no small part to the quality of the illustrated vignettes that rank among the masterpieces of ancient Egyptian painting. . . I, for one, would hope that readers will henceforth refrain from relying on Budge's outdated editions and turn to this volume instead. The quality of the large-format plates, several of which include foldouts; the authoritative translation based on that of R.O. Faulkner, which is considered in the opinion of many experts to be one of the best translations; and commentary by Ogden Goelet make this book a must for all libraries."� —Archaeology
Language Notes
Text: English (translation)
Most helpful customer reviews
0 of 0 people found the following review helpful.
The Size Shows The Details Of The Scroll
By thirdtwin
Fascinating art professionally reproduced- the pictures on the scrolls are the thing here. Other editions explain them more fully.
9 of 10 people found the following review helpful.
Your Passport To The Next Life
By Dai-keag-ity
What an absolute miracle we have these texts today, some four millennia after many of them were first conceived of in an ancient desert land! The story of the re-discovery in the nineteenth-century, after the last known copies were believed destroyed in Alexandria, is the recounting of an archeological miracle, and the fact that they survived the circumstances of their discovery at all amid corruption and mistrust in the black markets of Cairo is even more amazing.
The Egyptian Book of the Dead is both a how-to tome for making the journey from the physical world to the eternal lands, and also an invaluable record of the belief system and psychology of a remarkable ancient people. Unlike the Tibetan Book of the Dead with its (apparent) universal application, the information in its far-older Egyptian counterpart is peculiar to the culture of Pharonic times. A highly devout, ritual-embracing, death-oriented civilization, ancient Egyptians were instructed via this information in the use of proper spells, attitudes, and the location of the paths to take as they faced the arduous and daunting trek from their burial sites to the "Land of Reeds" an unending paradise in the world beyond.
Unlike most cosmologies, the ancients of the Nile valley did not view the arrival after death at a final destination as an automatic event. They held that it was but the start of a long process, a too-often failed journey undertaken toward an end-point of a spectacular judgment that determined the worthiness of their souls. Egyptian religion taught that all human beings initially survived death, but that only those of purity and worth (and those educated in the lore of the Book of the Dead) would in fact enjoy long-term postmortem consciousness. Hell to Egyptians was an ending, not an ongoing torment. The fate of the `damned' was the cessation of being, and it was arrived at in the form of being devoured by a frightening creature that was part hippopotamus and part crocodile.
After making the arduous journey from tomb to place of judgment, the pilgrim on the voyage toward eternity, having passed a series of tests, arrived at a last evaluation. In the presence of the great jackal-headed god Anubis, the deceased would hand over to a goddess a sacred heart-stone he had carried with him on his journey from the tomb, and this heart-stone would be weighed on a scale against a single white feather. If the stone outweighed the feather, then the person in question would be ripped to pieces by the hippo-croc monster, and cease to be (ultimate horror to ancients) but if the stone was found to balance out equal to the feather, as the heart-stone of a righteous soul would, then that person passed on into a the Land of Reeds, where eternal bliss awaited.
The Egyptian Book of the Dead is translated in such a way that its already ancient phrases, incantations, and prayers sound deliberately archaic in a sort of King James Bible fashion, and it is not a downstream type of read. For those who persevere to the work's conclusion, though, the experience of reading these sacred texts, which by all rights should long ago have been lost to knowledge, will find the scholarly experience to be rewarding. Plus, if we happen to one day find ourselves in the Egyptian afterlife, we'll know what to do, right?
15 of 15 people found the following review helpful.
Hymns for the Living; "Rise up, O. Pepi. You have not died !"
By TheoGnostus
"As for any person who knows this spell, let him be like Re in the eastern sky, like Osiris in the midst of Duat" The Book of two Ways
Egyptian Funerary Texts:
The purpose of the Egyptian funerary texts was to provide the deceased with pass words (or magical spells) which could ensure him a safe passage into the afterlife. Egyptians used to cling to a firm belief, in an afterlife, without any shadow of doubt. The texts together with the illustrations have provided detailed information on timings and directions of the final journey. The papyrus amulets were placed on the dead body during embalming.
The funeral texts were written in Hieroglyphs, but books written in Hieratic and Demotic, were discovered in later historical epochs, that developed into three subsequent versions. The Dead came ultimately to be identified with, and referred to as Osiris, the god of the dead and afterlife, in a last step in the democratization of the right to eternal life!
The Pyramid Texts:
Most ancient surviving funerary texts, found included in the coffin are called the Pyramid Texts, were an exclusive privilege of the Kings of the Old Kingdom. An early attestation, were the Hieroglyphic inscriptions on the internal walls of the burial chamber of 'Unas Pyramid' in Memphis cemetery at Saquara. (Ca. 23rd century BC),
The Coffin Texts:
The Elite members of Pharaoh's administration, acquired a royal right to the protective texts, in the Middle Kingdom (mid 21st century BC). They were written on the inner surface of their internal wooden coffins, included with their burials, in rock-cut tombs. Few were recorded on sarcophagus, statues, tomb walls, or even grave markers or offering slabs. The book of the two ways, was a guide book to the afterlife, included detailed instructions, gathered from coffins from Hermoplis Magna, center of Toth scribes cult of wisdom.
Texts of the Dead:
'Book of the Dead' is the title given to a collection of texts containing religious utterances and magical spells, known to ancient Egyptians as, "The Chapter of Coming forth by Day." Those papyri contained a variety of chapters, selected to suit the needs of the deceased. The surviving papyri, show many examples, dating mostly from the 15th to the second century BC. Copies of The Book of the Dead inscribed on papyrus sheets, were carefully rolled and placed in the tombs of leading Egyptian officials, and high priests.
The Egyptian Book of the Dead:
Reproduced in the Ani papyrus, this meticulously written and illustrated volume, of striking beauty, set by scribes for the Royal Scribe Ani, (1250 BC) is in the British Museum. Its contents contributed to understanding Ancient Egyptian beliefs, and portrays their various concepts.
The text was translated by the late Dr. R. Faulkner, with amendments, and two extensive commentaries by Dr. O. Goelet, Jr., located in the end of the book.
The wonderful plates preserve the original color of the illustrations, produced earlier under supervision of the eminent Egyptologist Wallis Budge.
Theban Recension & Book Corpus:
This updated integral edition comprises 'The Theban Recension,' which did not appear in the papyrus of Ani, a treasure for the student of comparative religion.
Prof. Goelet commentary on the Corpus of the book (of going forth by day) and its study needs to be read carefully. It is a scholarly appreciative analysis of its canon, organization, and the manufacture of this royal papyrus.
Ogden mentions the Heliopolitan Cosmology, which Moses may have been well instructed. He interprets the names of Atum, its creator deity as: 'He Who is Eternity,' 'The Completed One,' or 'The undifferentiated One,' in close similarity to "I am Who I am," or "I am Whom I will Be."
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